Theatrical Starts September 26, 2025
2025 - USA - ENGLISH - 86 MINUTES
A FILM BY AMY BERG
At his mother’s New Year’s Eve party Lucas, a young police officer, loses a letter no one was ever meant to read. Amid the backdrop of the suffocating family party, the search for the letter unlocks memories of a past he’s tried to forget: months earlier, while working undercover in a mall bathroom, Lucas arrested men by seducing them. But when he encounters Andrew, everything changes. What begins as another setup becomes something far more electric and intimate. As their secret connection deepens and police pressure to deliver arrests intensifies, Lucas finds himself torn between duty and desire. With time running out and his past closing in, PLAINCLOTHES builds toward a New Year’s Eve reckoning where everything he’s buried threatens to erupt.
Theatrical TBD. Available for Film Festivals.
82 MINUTES - UK - 2025- COMEDY/ DRAMA
A FILM BY NEIL ELY & LLOYD EYRE-MORGAN
Two lads - Benji and Jake - meet at an airport gate and begin monthly incognito trips to Amsterdam together. Over time the need to keep their intimacy a secret causes strain for the out Benji, and their trysts become increasingly toxic.
Theatrical Starts November 23, 2023
“Orlando, ma biographie politique”
FRANCE - 98 MINUTES - 2023 - IN FRENCH WITH ENGLISH SUBTITLES
A FILM BY PAUL B. PRECIADO
Virginia Woolf’s “Orlando” tells the story of a young man who grows up to become a 36-year-old woman. Almost a century after its publication, Paul B. Preciado speaks to Virginia Woolf to tell her that her fictional character has become a reality. The transition of Orlando’s body now lies at the root of all non-binary bodies and there are Orlandos all over the world.
1985 - CANADA - COLOUR - 60 MINUTES
A FILM BY NIK SHEEHAN
The first Canadian film on the subject of AIDS. In 1985-86 it was featured in festivals and theatres around the world. "No Sad Songs" attracted much critical attention for its sardonic dramatic performances which are interwoven throughout the documentary footage. The film centres on Jim Black, 37, and his views on the premature death in store for him. Catherine Hunt, who has a brother in the U.S. with the illness, speaks with remarkable emotion of the values such a crisis brings out in families and friends.
