The Capsule

The Capsule

GREECE – 2012 – 35 MIN – COLOUR - SHORT - IN FRENCH WITH ENGLISH SUBTITLES
A FILM BY ATHINA RACHEL TSANGARI

Seven girls, a mansion perched on a Cycladic rock, a cycle of lessons on discipline, desire and demise — infinitely.

Athina Rachel Tsangari has created both a film and a projection installation for the DesteFashion- Collection 2012, commissioned by art collector Dakis Joannou. It is a “Greek Gothic” mystery inspired by the work of the young Polish artist Aleksandra Waliszewska.

Cannibal Girls

Cannibal Girls

CANADA – 1973 – 84 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY IVAN REITMAN

Second City TV regulars Eugene Levy and Andrea Martin star in this Canadian horror spoof as a couple on a romantic holiday who settle into a quaint little bed-and-breakfast run by a trio of flesh-eating ladies who fancy them for tomorrow's menu.

Buck

Buck

USA – 2011 – 89 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY CINDY MEEHL

BUCK, a richly textured and visually stunning film, follows Brannaman from his abusive childhood to his phenomenally successful approach to horses. A real-life “horse-whisperer”, he eschews the violence of his upbringing and teaches people to communicate with their horses through leadership and sensitivity, not punishment.

The Broken Circle Breakdown

The Broken Circle Breakdown

BELGIUM / NETHERLANDS – 2012 – 111 MIN – COLOUR - FEATURE - IN  FLEMISH WITH ENGLISH SUBTITLES
A FILM BY FELIX VAN GROENINGEN

THE BROKEN CIRCLE BREAKDOWN tells the love story between Elise and Didier. She has her own tattoo shop, he plays the banjo in a band. It is love at first sight, in spite of major differences. He talks, she listens. He is a dedicated atheist, although at the same time a naïve romantic. She has a cross tattooed on her neck, even though she has both feet firmly on the ground. Their happiness is complete after their little girl Maybelle is born.

Brand Upon the Brain!

Brand Upon the Brain!

USA – 2006 – 97 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY GUY MADDIN

Guy Maddin lazes away his under-stimulated youth with his teenage sister on the mysterious island that one day he stands to inherit. They share this island with a horde of orphans all living together in the lighthouse which doubles as the orphanage.  Their every move is vigilantly watched over by Guy’s overbearing and tyrannical mother from the top of the lighthouse while his father, a scientist and inventor, secretly works away in the basement morning noon and night.

Bomb It

Bomb It

USA – 2007 – 93 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY JON REISS

BOMB IT! is the explosive new documentary from award-winning director Jon Reiss investigating the most subversive and controversial art form currently shaping international youth culture: graffiti.

Blank City

Blank City

USA – 2010 – 94 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY CELINE DANHIER

FEATURING JIM JARMUSCH, DEBBIE HARRY, STEVE BUSCEMI, JOHN LURIE, FAB 5 FREDDY, THURSTON MOORE

BLANK CITY tells the long-overdue tale of a disparate crew of renegade filmmakers who emerged from an economically bankrupt and dangerous moment in New York history. In the late 1970's and mid 80's, when the city was still a wasteland of cheap rent and cheap drugs, these directors crafted daring works that would go on to profoundly influence the development of independent film as we know it today.

Bill Cunningham New York

Bill Cunningham New York

USA – 2010 – 84 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY RICHARD PRESS

“We all get dressed for Bill,” says Anna Wintour about Bill Cunningham, the 80-year-old New York Times photographer and unlikely man-about-town. Cunningham has two weekly columns in the Style section of The New York Times: “On The Street,” in which he identifies fashion trends as he spots them emerging on the street; and “Evening Hours,” his ongoing coverage of the social whirl of charities that benefit the cultural life of the city. The result is far from simple picture taking — it is cultural anthropology.

Beeswax

Beeswax

USA – 2007 – 93 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY ANDREW BUJALSKI

BEESWAX is the third feature film directed by Andrew Bujalski (FUNNY HA, HA, MUTUAL APPRECIATION). Like Bujalski's previous films, the cast is made up of non-professional (but carefully cast) actors and filmed with a light, fast-moving crew. The goal is to tell an intimate, peculiar story the likes of which one could not achieve via a more traditional, large-scale mode of production. 

The story revolves primarily around a pair of twin sisters — Jeannie, who has been paraplegic since youth and gets around in a wheelchair, and Lauren. (Same face, different bodies...) Jeannie co-owns a used & vintage clothing store with her semi-estranged friend Amanda, while Lauren is between jobs (picking up some days filling in with landscaper friends) and between boyfriends, considering going overseas to teach English. 

Tensions are mounting between Jeannie and Amanda, their management styles clashing and communication problems getting exacerbated. An e-mail from Amanda implying that their conflict will end in a lawsuit if necessary sends Jeannie into a mild panic — Amanda's lawyer father had written up all their agreements and Jeannie feels beleaguered and at a distinct disadvantage. She calls on an ex-boyfriend, Merrill, who has just graduated from law school and is studying for the bar, and after falling immediately into bed together, Merrill begins distracting himself from his own problems by trying to assist Jeanie. 

Various strategies for dealing with the amanda crisis are discussed and pursued, though it remains infuriatingly unclear exactly how serious the crisis is — Amanda remains in the background and no one knows how idle her threat has been. (She claims that she has no interest in wasting time or energy on a lawsuit, and naturally this denial fuels Jeannie & Merrill's paranoia all the more.) When Lauren, at loose endds, gets roped into a familial obligation back home with her mother, her mother's partner, Sally, somewhat overreaching her stepmotherly bounds, tries to involve herself in Jeannie's problems. 

BEESWAX is a story about families, real and imagined, people taking care of each other while they want to, when they need to, when they ought to. 

DIRECTOR
Andrew Bujalski previously direct the films FUNNY HA, HA and MUTUAL APPRECIATION. He has won the IFP Someone to Watch Award, and has been awarded grants from the Tribeca Film Foundation, LEF Moving Image Fund, and the Massachusetts Cultural Council. Both FUNNY HA, HA and MUTUAL APPRECIATION appeared on various top 10 lists of films in the U.S. Andrew's films have been released for commercial distribution in the United States, the United Kingdom, Canada, Greece, Australia, Argentina, Russia, India, Chile, Poland and Israel.

 

"...a surprisingly sophisticated and savvy social comedy. As a generational snapshot,  BEESWAX is plenty acute. All Bujalski needs now is for the people he’s making movies about to start seeing them."
- EYE WEEKLY

"Bujalski uses the trappings of the everyday to ground his characters in a recognizably real world. BEESWAX has a looseness and a dramatic focus that recall early Altman, if that’s not too pretentious a comparison."
- NOW MAGAZINE

Beauty Day

Beauty Day

CANADA – 2010 – 90 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY JAY CHEEL

An apt mix of humour and humanity, BEAUTY DAY is a feature length documentary which chronicles the life and times of cable television star Ralph Zavadil. 

Barbara

Barbara

GERMANY – 2012 – 100 MIN – COLOUR - FEATURE - IN GERMAN WITH ENGLISH SUBTITLES
A FILM BY CHRISTIAN PETZOLD

Summer, 1980. Barbara, a doctor, has applied for an exit visa from the GDR (East Germany). Now, as punishment, she has been transferred from Berlin to a small hospital out in the country, far from everything. Jörg, her lover from the West, is already planning her escape.

The Ballad of Genesis and Lady Jaye

The Ballad of Genesis and Lady Jaye

USA / GERMANY / UNITED KINGDOM / NETHERLANDS / BELGIUM / FRANCE – 2011 – 118 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY MARIE LOSIER

Defying artistic boundaries, Genesis has re-defined his art as a challenge to the limits of biology. In 2000, Genesis began a series of sex reassignment surgeries in order to more closely resemble his love, Lady Jaye (nee Jacqueline Breyer), who remained his wife and artistic partner for nearly 15 years.

Anvil! The Story of Anvil

Anvil! The Story of Anvil

USA – 2009 – 80 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY SACHA GERVASI

At 14, Toronto school friends Steve "Lips" Kudlow and Robb Reiner made a pact to rock together forever. They meant it.

Their band, Anvil, went on to become the "demigods of Canadian metal," releasing one of the heaviest albums in metal history, 1982's Metal on Metal. The album influenced a musical generation, including Metallica, Slayer, and Anthrax, that went on to sell millions of records. But Anvil's career took a different path — straight to obscurity.

Anger Me

Anger Me

CANADA – 2005 – 71 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY ELIO GELMINI

The story of Kenneth Anger, avant-garde filmmaker and Author of 'Hollywood Babylon".

Kenneth Anger was a major personality of the 1960’s and 1970’s who defined himself as a “cinematographic magician” and his “cinema” as a ritualistic form. 

Amour Fou

Amour Fou

AUSTRIA / LUXEMBOURG / GERMANY – 2014 – 90 MIN – COLOUR - FEATURE -
IN GERMAN WITH ENGLISH SUBTITLES
A FILM BY JESSICA HAUSNER

Berlin, the Romantic Era. Young poet Heinrich wishes to conquer the inevitabil- ity of death through love, yet is unable to convince his sceptical cousin Marie to join him in a suicide pact. It is whilst coming to terms with this refusal, ineffably distressed by his cousin’s insensitivity to the depth of his feelings, that Heinrich meets Henriette, the wife of a business acquaintance.

Heinrich’s subsequent offer to the beguiling young woman at first holds scant appeal, that is until Henriette discovers she is suffering from a terminal illness. AMOUR FOU is a “romantic comedy” based loosely on the suicide of the poet Henrich von Kleist in 1811.

24 City

24 City

CHINA – 2008 – 107 MIN – COLOUR - FEATURE - IN CHINESE WITH ENGLISH SUBTITLES
A FILM BY JIA ZHANG KE

Chengdu, nowadays. The state-owned factory 420 shuts down to give way to a complex of luxury apartments called "24 CITY." 
Three generations, eight characters: old workers, factory executives and yuppies, their stories are the history of China.

Millhouse

Millhouse

USA – 1971 – 92 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY EMILE DE ANTONIO

A biography in irony, the career and successes of Mr. Nixon from 1946 through "Six Crises" to the days of Kent State. Made before Watergate, the film was placed on the 'enemies list.'

 

Very Semi-Serious

Very Semi-Serious

USA – 2015 – 83 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY LEAH WOLCHOK

VERY SEMI-SERIOUS is an offbeat meditation on humor, art and the genius of the single panel. The film takes an unprecedented behind-the-scenes look at the New Yorker and introduces the cartooning legends and hopefuls who create the iconic cartoons that have inspired, baffled—and occasionally pissed off—all of us for decades.

Harold and Lillian: A Hollywood Love Story

Harold and Lillian: A Hollywood Love Story

USA – 2015 – 101 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY DANIAL RAIM

NON-THEATRICAL: AVAILABLE FOR TV, VOD & FILM FESTIVALS ONLY

For sixty tumultuous years, Harold and Lillian weathered personal and professional setbacks while working on hundreds of films, many of them now classics, including The Ten Commandments, The Apartment, The Birds, Who’s Afraid Of Virginia Woolf?, The Graduate, Rosemary’s Baby, Fiddler On The Roof, Star Trek: The Motion Picture, Scarface, Full Metal Jacket. Although the couple was responsible for some of Hollywood’s most iconic examples of visual storytelling, their contributions remain largely uncredited.

Through an engaging mix of love letters, film clips and interviews (including candid conversations with Harold and Lillian, Danny DeVito, Mel Brooks, and Francis Coppola), home movies, and rare production art, HAROLD AND LILLIAN lovingly chronicles a remarkable relationship and two extraordinary careers spanning six decades of movie-making history.