ANGER ME
Reviews & Articles
Xtra - Jon Davies, Jan 19, 2006
When I first saw Kenneth Anger's Fireworks, I was absolutely shocked that it was made in 1947, when Anger was a young buck of 17. While not the first queer American underground film, Fireworks was certainly among the most overtly homoerotic. Appropriately enough, it is the keystone of Pleasure Dome's Sat, Jan 28 screening When We Were Very Young, a program of early work by queer North American experimental filmmakers.
Now Magazine - Glenn Sumi, Oct. 2006
Managing Anger. Kenneth Anger speaks out on phones, artistic theft and Scientology
lashtal.com - Paul Feazey, Oct. 30, 2006
...described (here) as a documentary but in truth it's far more than that: it's a long-overdue monologue, an opportunity for the oft-maligned Anger to present his life as he remembers it.
New York Times - Nathan Southern, 2006
Elio Gelmini's Anger Me paints an enduring biographical portrait of Kenneth Anger, one of the most fascinating, controversial and brilliant cinematic artists of the past sixty years, and a veritable godfather of independent film.
Time Out London - Oct. 25, 2006
This worthwhile documentary portrait of Kenneth Anger makes a fine complement for the screenings of his oeuvre restored on 35mm and an expected visit from the legend of the American avant-garde himself.
Reviews & Articles
Xtra - Jon Davies, Jan 19, 2006
When I first saw Kenneth Anger's Fireworks, I was absolutely shocked that it was made in 1947, when Anger was a young buck of 17. While not the first queer American underground film, Fireworks was certainly among the most overtly homoerotic. Appropriately enough, it is the keystone of Pleasure Dome's Sat, Jan 28 screening When We Were Very Young, a program of early work by queer North American experimental filmmakers.
Now Magazine - Glenn Sumi, Oct. 2006
Managing Anger. Kenneth Anger speaks out on phones, artistic theft and Scientology
lashtal.com - Paul Feazey, Oct. 30, 2006
...described (here) as a documentary but in truth it's far more than that: it's a long-overdue monologue, an opportunity for the oft-maligned Anger to present his life as he remembers it.
New York Times - Nathan Southern, 2006
Elio Gelmini's Anger Me paints an enduring biographical portrait of Kenneth Anger, one of the most fascinating, controversial and brilliant cinematic artists of the past sixty years, and a veritable godfather of independent film.
Time Out London - Oct. 25, 2006
This worthwhile documentary portrait of Kenneth Anger makes a fine complement for the screenings of his oeuvre restored on 35mm and an expected visit from the legend of the American avant-garde himself.