THEATRICAL STARTS AUGUST 17, 2018
2017 - ITALY - 93 MINUTES - 1:33 - 5.1 AUDIO - IN ENGLISH
A FILM BY SUASANNA NICCHIARELLI
WITH TRINE DYRHOLM, JOHN GORDON SINCLAIR, ANAMARIA MARINCA
A road-movie dedicated to the last years of Christa Päffgen, known by her stage name “Nico”. One of Warhol's muses, singer of The Velvet Underground and a woman of legendary beauty. The story of Nico's last tours with the band that accompanied her around Europe in the Eighties: years in which the "priestess of darkness", as she was called, found herself again, shaking off the weight of her beauty and rebuilding the relationship with her only forgotten son. It is the story of a rebirth, of an artist, of a mother, of the woman beyond the icon.
THEATRICAL STARTS OCTOBER 10, 2018
NEW 4K RESTORATION!
USA – 1979 – 97 MIN – COLOUR - FEATURE - IN ENGLISH
A FILM BY GLENN SILBER & BARRY ALEXANDER BROWN
Nominated for an Academy Award and widely considered one of the most important political films ever made, THE WAR AT HOME vividly chronicles the anti-war protest movement of the 1960's and 70's. The film provides an illuminating look at the home front of the Vietnam War - the war that students and other ani-war dissidents waged on America's political system, military and notions of patriotism.
Through a powerful combination of rare archival footage and interviews with students, community leaders, Vietnam veterans, and participants from all points of view, THE WAR AT HOME shows how the anti-war movement grew into a genuine people's revolt in tandem with the escalation of war in Vietman.
THEATRICAL STARTS OCTOBER 12, 2018
2017 - USA - 98 MINUTES
A FILM BY MATT TYRNAUER
Studio 54 was the epicenter of 70s hedonism--a place that not only redefined the nightclub, but also came to symbolize an entire era. Its co-owners, Ian Schrager and Steve Rubell, two friends from Brooklyn, seemed to come out of nowhere to suddenly preside over a new kind of New York society. Now, 39 years after the velvet rope was first slung across the club’s hallowed threshold, a feature documentary tells the real story behind the greatest club of all time.
2017 - USA - 84 MINUTES - COLOUR - IN ENGLISH
A FILM BY DUSTIN GUY DEFA
PRINCIPAL CAST: ABBI JACOBSON, MICHAEL CERA, TAVI GEVINSON, PHILIP BAKER HALL, BENE COOPERSMITH, GEORGE SAMPLE III
During a single day in New York City, a variety of characters grapple with the mundane, the unexpected, and the larger questions permeating their lives. An investigative reporter struggles with her first day on the job, despite help from her misguided boss; a rebellious teen attempts to balance her feminist ideals with other desires; and a young man seeks to reconcile with his ex-girlfriend, even as her brother threatens revenge. Meanwhile, an avid music lover traverses the city in search of a rare record for his vinyl collection.
2017 - 91 MINUTES - ENGLISH - USA
A FILM BY JOSH GREENBAUM
A unique documentary/narrative hybrid chronicling the stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond in "On Her Majesty’s Secret Service" (1969), despite having never acted a day in his life. Then after being offered the next six Bond films and a $1 million signing bonus, he turned it all down.
1989 - CANADA - 80 MINUTES
A FILM BY BRUCE MCDONALD
Ramona works in a concert agency and is sent after the rock band 'Children of Paradise' who have disappeared. Since she can't drive, she has to take the train and bus and eventually hitchhike. On her way through the Canadian back country she meets the weirdest people - and learns to drive, what leads to... roadkill.
A FILM BY ELIZABETH CARROL
2017 - USA - 90 MINUTES
The Immortal Diana Kennedy is a feature-length documentary offering a candid look into the world of 92-year old British chef and cookbook author Diana Kennedy, widely regarded as the world’s authority on Mexican cuisine. Standing barely five feet tall with a still-thick English accent, Diana is a formidable critic of any individual who doesn’t agree with her subjective views of Mexican culinary traditions, or, God forbid, doesn’t recycle.