How does one express the reality of individuals whose public image, lives, and humanity originate in exploitation? Photographer and filmmaker RaMell Ross employs the integrity of nonfiction filmmaking and the currency of stereotypical imagery to fill in the gaps between individual black male icons. Hale County This Morning, This Evening is a lyrical innovation to the form of portraiture that boldly ruptures racist aesthetic frameworks that have historically constricted the expression of African American men on film.
A FILM BY JIA ZHANG-KE CHINA/ FRANCE/ COLOUR/ IN MANDARIN WITH ENGLISH AND FRENCH SUBTITLES/ FEATURING: TAO ZHAO, LIAO FAN
Qiao is in love with Bin, a local mobster. During a fight between rival gangs, she fires a gun to protect him. Qiao gets five years in prison for this act of loyalty. Upon her release, she goes looking for Bin to pick up where they left off.
IRAN - 2018 - 100 MINUTES - 1:85 - FARSI, AZERI (WITH ENGLISH + FRENCH SUBTITLES) A FILM BY JAFAR PANAHI
Well-known actress Behnaz Jafari is distraught by a provincial girl’s video plea for help—oppressed by her family to not pursue her studies at the Tehran drama conservatory. Behnaz abandons her shoot and turns to filmmaker Jafar Panahi to help solve the mystery of the young girl’s troubles. They travel by car to the rural northwest where they have amusing encounters with the charming folk of the girl’s mountain village. But the city visitors soon discover that the protection of age-old traditions is as generous as local hospitality…
Studio 54 was the epicenter of 70s hedonism--a place that not only redefined the nightclub, but also came to symbolize an entire era. Its co-owners, Ian Schrager and Steve Rubell, two friends from Brooklyn, seemed to come out of nowhere to suddenly preside over a new kind of New York society. Now, 39 years after the velvet rope was first slung across the club’s hallowed threshold, a feature documentary tells the real story behind the greatest club of all time.
2018 - FRANCE - 99 MINUTES - COLOUR - ENGLISH, HINDI A FILM BY ROHENA GERA
Ratna works as domestic live-in help with Ashwin, a man from a wealthy family. Although Ashwin seems to have it all, Ratna can sense that he has given up on his dreams and is somewhat lost… On the other hand, Ratna who seems to have nothing, is full of hope and works determinedly towards her dream. As these two worlds collide and the two individuals connect, the barriers between them seem only more insurmountable…
NEW 4K RESTORATION! USA – 1979 – 97 MIN – COLOUR - FEATURE - IN ENGLISH A FILM BY GLENN SILBER & BARRY ALEXANDER BROWN
Nominated for an Academy Award and widely considered one of the most important political films ever made, THE WAR AT HOME vividly chronicles the anti-war protest movement of the 1960's and 70's. The film provides an illuminating look at the home front of the Vietnam War - the war that students and other ani-war dissidents waged on America's political system, military and notions of patriotism.
Through a powerful combination of rare archival footage and interviews with students, community leaders, Vietnam veterans, and participants from all points of view, THE WAR AT HOME shows how the anti-war movement grew into a genuine people's revolt in tandem with the escalation of war in Vietman.
2018 - 101 MINUTES - GERMANY/ FRANCE - IN GERMAN AND FRENCH WITH ENGLISH / FRENCH SUBTITLES A FILM BY CHRISTIAN PETZOLD
German troops are fast approaching Paris. Georg, a German refugee, escapes to Marseille in the nick of time. In his luggage, he carries the documents of an author, Weidel, who has taken his own life in fear of his persecutors. Those documents include a manuscript, letters and visa assurance from the Mexican embassy.
Basquiat paintings regularly fetch tens of millions of dollars, and the recent sale of a little-known Da Vinci topped $450 million—but what forces are driving the white-hot art market? Who assigns and who pays these astronomical sums? What currency adequately measures art’s value? The Price of Everything leads us into a rarefied labyrinth of galleries, studios, and auction houses to wrestle with these questions and explore what society loses and gains when art becomes a rich person’s commodity.
2018 - 90 MINUTES - USA A FILM BY SASHA WATERS FREYER
Decades before digital technology transformed how we make and see pictures, Garry Winogrand made hundreds of thousands of them with his 35mm Leica, creating an encyclopedic portrait of America from the late 1950s to the early 1980s in the process. When he died suddenly at age 56 in 1984, Winogrand left behind more than 10,000 rolls of film – more than a quarter of a million pictures! These images capture a bygone era: the New York of Mad Men and the early years of the Women’s Movement, the birth of American suburbs, and the glamour and alienation of Hollywood. He produced so many unseen images that it has taken until now for the full measure of his artistic legacy to emerge. Endorsed by his gallery and estate, Garry Winogrand: All Things are Photographable is the first cinematic survey of that legacy. The film tells the story of an artist whose rise and fall was – like America’s in the late decades of the 20th century – larger-than-life, full of contradictions and totally unresolved.