Toronto international Film Festival
Vancouver international Film Festival
PRODUCED AND DIRECTED BY RON MANN
EXECUTIVE PRODUCER: CARTER LOGAN, MICHAEL HIRSH
WRITER: LEN BLUM
MUSIC: THE SADIES
DIRECTOR OF PHOTOGRAPHY: JOHN M TRAN, BECKY PARSONS
EDITOR: ROBERT KENNEDY
INTERNATIONAL SALES: THE MATCH FACTORY
Once the centre of the New York bohemia, Greenwich Village is now home to lux restaurants, and buzzer door clothing stores catering to the nouveau riche. But one shop in the heart of the Village remains resilient to the encroaching gentrification: Carmine Street Guitars.
THEATRICAL STARTS OCTOBER, 2018
USA - 2018 - 98 MINUTES
A FILM BY NATHANIEL KAHN
Basquiat paintings regularly fetch tens of millions of dollars, and the recent sale of a little-known Da Vinci topped $450 million—but what forces are driving the white-hot art market? Who assigns and who pays these astronomical sums? What currency adequately measures art’s value? The Price of Everything leads us into a rarefied labyrinth of galleries, studios, and auction houses to wrestle with these questions and explore what society loses and gains when art becomes a rich person’s commodity.
2018 - 90 MINUTES - USA
A FILM BY SASHA WATERS FREYER
Decades before digital technology transformed how we make and see pictures, Garry Winogrand made hundreds of thousands of them with his 35mm Leica, creating an encyclopedic portrait of America from the late 1950s to the early 1980s in the process. When he died suddenly at age 56 in 1984, Winogrand left behind more than 10,000 rolls of film – more than a quarter of a million pictures! These images capture a bygone era: the New York of Mad Men and the early years of the Women’s Movement, the birth of American suburbs, and the glamour and alienation of Hollywood. He produced so many unseen images that it has taken until now for the full measure of his artistic legacy to emerge. Endorsed by his gallery and estate, Garry Winogrand: All Things are Photographable is the first cinematic survey of that legacy. The film tells the story of an artist whose rise and fall was – like America’s in the late decades of the 20th century – larger-than-life, full of contradictions and totally unresolved.
THEATRICAL STARTS OCTOBER 12, 2018
2017 - USA - 98 MINUTES
A FILM BY MATT TYRNAUER
Studio 54 was the epicenter of 70s hedonism--a place that not only redefined the nightclub, but also came to symbolize an entire era. Its co-owners, Ian Schrager and Steve Rubell, two friends from Brooklyn, seemed to come out of nowhere to suddenly preside over a new kind of New York society. Now, 39 years after the velvet rope was first slung across the club’s hallowed threshold, a feature documentary tells the real story behind the greatest club of all time.
Calgary International Film Festival
THEATRICAL STARTS AUGUST 10, 2018
2017 - USA - 90 MINUTES - COLOUR
WRITTEN AND DIRECTED BY DESIREE AKHAVAN
BASED ON THE NOVEL BY EMILY M. DANFORTH
FEATURING: CHLOË GRACE MORETZ, SASHA LANE, FORREST GOODLUCK, JOHN GALLAGHER JR., JENNIFER EHLE
Cameron Post (Chloë Grace Moretz) looks the part of a perfect high school girl. But after she’s caught with another girl in the back seat of a car on prom night, Cameron is quickly shipped off to a conversion therapy center that treats teens “struggling with same-sex attraction.” At the facility, Cameron is subjected to outlandish discipline, dubious “de-gaying” methods, and earnest Christian rock songs—but this unusual setting also provides her with an unlikely gay community. For the first time, Cameron connects with peers, and she’s able to find her place among fellow outcasts.
2018 - FRANCE - 99 MINUTES - COLOUR - ENGLISH, HINDI
A FILM BY ROHENA GERA
Ratna works as domestic live-in help with Ashwin, a man from a wealthy family. Although Ashwin seems to have it all, Ratna can sense that he has given up on his dreams and is somewhat lost… On the other hand, Ratna who seems to have nothing, is full of hope and works determinedly towards her dream. As these two worlds collide and the two individuals connect, the barriers between them seem only more insurmountable…